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Bartók forever
Inventio 1 C Major BWV 772
Bartók forever
1:06 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 1 5 7 100%
Bass 23 0 5 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 1 5 7 100%
Bass 23 0 5 6 100%
 
Simple "westward" modulating progressions based on the Cycle/Circle of 5ths
Bartók forever
1:20 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 35 19 6 98%
Bass 31 0 16 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 35 19 6 98%
Bass 31 0 16 6 100%
 
Inventio 2 c Minor BWV 773
Bartók forever
2:20 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 6 6 100%
Bass 25 0 4 6 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 6 6 100%
Bass 25 0 4 6 93%
 
Warum betrübst du dich (Aria) BWV 516
Bartók forever
1:16 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 16 5 6 100%
Bass 14 0 2 5 100%
Stimme Treble 13 0 4 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 16 5 6 100%
Bass 14 0 2 5 100%
Stimme Treble 13 0 4 6 100%
 
La Battaglia
Bartók forever
2:31 Est. Play
Time
114 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pieno Treble 14 0 1 6 100%
Bass 17 0 2 5 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pieno Treble 14 0 1 6 100%
Bass 17 0 2 5 100%
Ottava
e
flauto		 Treble 12 0 1 5 56%
Bass 14 0 2 5 56%
Ottava,
Flauto
e
Principale		 Treble 6 0 0 5 11%
Bass 5 0 0 5 11%
Vuoto Treble 5 0 0 2 7%
Bass 3 0 0 1 7%
 
A Hornepype (shortened)
Bartók forever
3:19 Est. Play
Time
76 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
 
Modus Ludendi Pleno Organo Pedaliter. SSWV 157
Bartók forever
3:03 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 15 0 4 5 98%
Bass 18 0 6 5 98%
15 0 4 5 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 15 0 4 5 98%
Bass 18 0 6 5 98%
15 0 4 5 98%
 
D. Scarlatti - Sonata A Major K. 323
Bartók forever
3:15 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 15 9 3 3 100%
Bass 18 0 2 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 15 9 3 3 100%
Bass 18 0 2 3 100%
 
Cantio Belgica SSWV 108 (shortened)
Bartók forever
2:18 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 16 0 4 6 98%
Orgel Treble 18 0 5 7 97%
Bass 14 0 1 7 93%
Fagott Bass 9 0 1 6 94%
Violoncello Bass 11 0 1 6 76%
Klarinette
in
B		 Treble 12 0 3 7 61%
 
Passametzo
Bartók forever
3:06 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 12 4 6 100%
Bass 16 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 12 4 6 100%
Bass 16 0 2 5 100%
 
Modal Bartók
Bartók forever
3:01 Est. Play
Time
105 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 9 0 0 6 92%
Treble 11 1 1 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 9 0 0 6 92%
Treble 11 1 1 6 100%
 
What power art thou? (Purcell, King Arthur Act III aka "Cold Scene")
Bartók forever
2:32 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 29 98 10 2 100%
Bass 15 0 5 2 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 29 98 10 2 100%
Bass 15 0 5 2 100%
Violine
I/II		 Treble 19 0 7 2 100%
Treble 18 0 6 2 100%
Basso
Continuo		 Bass 15 0 5 2 100%
Bratsche 19 0 6 2 100%
Bass Bass 16 0 6 4 69%
 
Wer nur den lieben Gott lässt walten (Choral) BWV 691
Bartók forever
1:00 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 1 2 6 100%
Bass 15 0 3 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 14 1 2 6 100%
Bass 15 0 3 5 97%
 
Philipp's Progressions
Bartók forever
1:22 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Streichinstrumente Treble 21 38 10 4 100%
Bass 9 0 3 2 36%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Streichinstrumente Treble 21 38 10 4 100%
Bass 9 0 3 2 36%
 
Sarabande from HWV 437
Bartók forever
1:21 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 15 15 3 3 100%
Bass 12 1 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 15 15 3 3 100%
Bass 12 1 0 3 100%
 
Scalar Rhythm Shifting
Bartók forever
2:28 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 10 0 0 1 100%
Treble 10 0 0 1 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Oboe Treble 10 0 0 1 100%
Treble 10 0 0 1 100%
 
BWV 515/515a So oft ich meine Tobacks-Pfeife
Bartók forever
2:27 Est. Play
Time
35 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 16 5 3 6 100%
Bass 22 0 7 4 100%
Oboe Treble 9 0 1 6 50%
 
Six Unison Melodies
Bartók forever
2:40 Est. Play
Time
66 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 0 3 100%
Bass 9 0 0 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 0 3 100%
Bass 9 0 0 3 100%
 
Aria from BWV 988
Bartók forever
2:21 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 1 3 8 100%
Bass 22 0 4 7 72%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 1 3 8 100%
Bass 22 0 4 7 72%
Klavier Treble 16 1 3 13 100%
Bass 22 0 4 10 72%
 
Fuge c-Moll BWV 871 (subject and its derivations marked)
Bartók forever
1:19 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 0 10 7 92%
Bass 29 1 10 6 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 0 10 7 92%
Bass 29 1 10 6 89%